Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 118
... identity through an attraction to the female . The picture of a threatened masculinity the Romans construct seems to give validity to the anti- theatrical and antifeminist polemic , especially in its negative associations between female ...
... identity through an attraction to the female . The picture of a threatened masculinity the Romans construct seems to give validity to the anti- theatrical and antifeminist polemic , especially in its negative associations between female ...
Seite 161
... identity is prelude to his grander and more powerful integration of himself , a pattern that is reinforced by his association with the sun . Antony's sinking and rising again prepares for his glorious re - creation after death in ...
... identity is prelude to his grander and more powerful integration of himself , a pattern that is reinforced by his association with the sun . Antony's sinking and rising again prepares for his glorious re - creation after death in ...
Seite 329
... identity , but in terms of a reversion to an older , capacious order of things . What is enacted in the Henry IV plays as a movement from city underworld to Glou- cester rusticity is here re - enacted on a more frivolous scale . The ...
... identity , but in terms of a reversion to an older , capacious order of things . What is enacted in the Henry IV plays as a movement from city underworld to Glou- cester rusticity is here re - enacted on a more frivolous scale . The ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York