Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 29
... gives his male char- acters more self - awareness and suggests that if they are to give up their deeply ingrained misogyny ... give no evidence of having learned anything about themselves from their mistakes : they learn merely that they ...
... gives his male char- acters more self - awareness and suggests that if they are to give up their deeply ingrained misogyny ... give no evidence of having learned anything about themselves from their mistakes : they learn merely that they ...
Seite 79
... gives us , the less likely they seem as explanations of his actions . His motives do not seem equal to the deed ... give us even the partial insights into their souls that Hamlet gives . We are forced to concern ourselves with their ...
... gives us , the less likely they seem as explanations of his actions . His motives do not seem equal to the deed ... give us even the partial insights into their souls that Hamlet gives . We are forced to concern ourselves with their ...
Seite 179
... give up the battle with time and live intensely in the present is , Barbara Everett remarks , " to create a small and circumscribed area in which to exist , in an exhilarated moment of freedom and vitality " ( 1964 , xxxvi ) . It is a ...
... give up the battle with time and live intensely in the present is , Barbara Everett remarks , " to create a small and circumscribed area in which to exist , in an exhilarated moment of freedom and vitality " ( 1964 , xxxvi ) . It is a ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York