Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 70
... critics positing Egypt in opposition to Rome . Within this framework , Egypt is equated with love and desire , art and imagination , and comedy , while Rome is the locus of politics and power , reason and restraint , and tragedy . These ...
... critics positing Egypt in opposition to Rome . Within this framework , Egypt is equated with love and desire , art and imagination , and comedy , while Rome is the locus of politics and power , reason and restraint , and tragedy . These ...
Seite 93
... critics are explaining away one of the major elements in the play : people such as Antony or Cleopatra are mysterious , are even inconsistent ; they must not be " rescued " from themselves by such arguments . 17 Philip J. Traci ( The ...
... critics are explaining away one of the major elements in the play : people such as Antony or Cleopatra are mysterious , are even inconsistent ; they must not be " rescued " from themselves by such arguments . 17 Philip J. Traci ( The ...
Seite 94
... critics : al- most every critic who writes about the play reveals his own moral predispositions as surely as Pompey does here . Few critics are willing to posit their own moral convictions as a precondition for their interpretation of ...
... critics : al- most every critic who writes about the play reveals his own moral predispositions as surely as Pompey does here . Few critics are willing to posit their own moral convictions as a precondition for their interpretation of ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York