Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 55
... course ) would have us do , it seems clear . To take the easy way out with this speech , however , is to fall into the old Shake- spearean trap of inobservancy that is set for us on every page of this play . Though logically ...
... course ) would have us do , it seems clear . To take the easy way out with this speech , however , is to fall into the old Shake- spearean trap of inobservancy that is set for us on every page of this play . Though logically ...
Seite 128
... course , is no more about Cleopatra than Hamlet is merely about Hamlet . While we are prone to deride earlier notions of the tragedies as character studies , we still hear Hamlet spoken of most often as the story of a man who ...
... course , is no more about Cleopatra than Hamlet is merely about Hamlet . While we are prone to deride earlier notions of the tragedies as character studies , we still hear Hamlet spoken of most often as the story of a man who ...
Seite 158
... course of the play , characters can be both more high - hearted and joyous , and also more broken - hearted , than in the Roman world of the first half of the play , in which the genres and the emotional life they embody are kept ...
... course of the play , characters can be both more high - hearted and joyous , and also more broken - hearted , than in the Roman world of the first half of the play , in which the genres and the emotional life they embody are kept ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York