Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 99
... Rome in Antony and Cleopatra in order to soften our judgement of Egypt . He saw Caesar's ambition as a symptom of the decay of the Roman state , and he saw the decline of Roman political idealism as a process which had begun even before ...
... Rome in Antony and Cleopatra in order to soften our judgement of Egypt . He saw Caesar's ambition as a symptom of the decay of the Roman state , and he saw the decline of Roman political idealism as a process which had begun even before ...
Seite 150
... Rome on the verge of fulfilling her imperial destiny is not just any tale out of a chronicle . The establishment of Augustan Rome could be seen from Shakespeare's viewpoint as the historical subject : the vision of the world of the past ...
... Rome on the verge of fulfilling her imperial destiny is not just any tale out of a chronicle . The establishment of Augustan Rome could be seen from Shakespeare's viewpoint as the historical subject : the vision of the world of the past ...
Seite 151
... Rome and Egypt are also like tragedy and comedy in their relationship of opposition , which structures more detail than can ever be mentioned in a list of the elements of tragic or comic decorum . Although one point of the idea of ...
... Rome and Egypt are also like tragedy and comedy in their relationship of opposition , which structures more detail than can ever be mentioned in a list of the elements of tragic or comic decorum . Although one point of the idea of ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York