Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 214
... Italy hath out - craftied " ( III . iv . 15 ) her husband even before she reads the letter , and she reinforces this idea after reading by claiming some " jay of Italy / ( Whose mother was her painting ) hath betray'd him " ( III . iv ...
... Italy hath out - craftied " ( III . iv . 15 ) her husband even before she reads the letter , and she reinforces this idea after reading by claiming some " jay of Italy / ( Whose mother was her painting ) hath betray'd him " ( III . iv ...
Seite 232
... Italy . This is the source of one of his problems . He is constantly spoken of in hyperbolic terms , but , when his role is dramatized , he appears choleric and unreason- able . The " gentlemen " are given over twice as many lines to ...
... Italy . This is the source of one of his problems . He is constantly spoken of in hyperbolic terms , but , when his role is dramatized , he appears choleric and unreason- able . The " gentlemen " are given over twice as many lines to ...
Seite 277
... Italian / ( As poisonous - tongu'd as handed ) " ( III , ii 4-5 ) . 9 Imogen : " Romish stew " ( I , vii , 152 ) ; " drug - damn'd Italy " ( III , iv , 15 ) ; " some jay of Italy " ( III , iv , 49 ) ; " some Roman courtezan " ( III , iv ...
... Italian / ( As poisonous - tongu'd as handed ) " ( III , ii 4-5 ) . 9 Imogen : " Romish stew " ( I , vii , 152 ) ; " drug - damn'd Italy " ( III , iv , 15 ) ; " some jay of Italy " ( III , iv , 49 ) ; " some Roman courtezan " ( III , iv ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York