Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 212
... Imogen relationship back into its dream - world category of " more than a mortal seeming " ( I. vii . 171 ) , Imogen can easily be reassured . Iachimo's request that she give safe stowage to " plate of rare device , and jewels / Of rich ...
... Imogen relationship back into its dream - world category of " more than a mortal seeming " ( I. vii . 171 ) , Imogen can easily be reassured . Iachimo's request that she give safe stowage to " plate of rare device , and jewels / Of rich ...
Seite 216
... Imogen , Imogen , Imo- gen ! " ( V. v . 225-227 ) and strikes Imogen to the ground for daring to burst in with a request to be heard after his passionate eloquence . Pisanio is right in one sense when he says Posthumus " ne'er killed Imogen ...
... Imogen , Imogen , Imo- gen ! " ( V. v . 225-227 ) and strikes Imogen to the ground for daring to burst in with a request to be heard after his passionate eloquence . Pisanio is right in one sense when he says Posthumus " ne'er killed Imogen ...
Seite 276
Michelle Lee. nor his observations of haphazard items in Imogen's bedroom . Rather , each allusion contributes to the es- tablishment of lachimo's character and ironically sig- nals the futility of his schemes . Pisanio declares that ...
Michelle Lee. nor his observations of haphazard items in Imogen's bedroom . Rather , each allusion contributes to the es- tablishment of lachimo's character and ironically sig- nals the futility of his schemes . Pisanio declares that ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York