Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 99
Seite 70
Michelle Lee. Antony and Cleopatra 133 73. For further information on the critical and stage his- tory of Antony and Cleopatra , see SC , Volumes 6 , 17 , and 27 . INTRODUCTION Antony and Cleopatra is often analyzed in dialectical terms ...
Michelle Lee. Antony and Cleopatra 133 73. For further information on the critical and stage his- tory of Antony and Cleopatra , see SC , Volumes 6 , 17 , and 27 . INTRODUCTION Antony and Cleopatra is often analyzed in dialectical terms ...
Seite 129
Michelle Lee. tragedy , Antony and Cleopatra . It is almost as if Shake- speare were maliciously attempting to foil those who would approach his play from a strictly Aristotelian point of view . The play is nominally ... ANTONY AND CLEOPATRA.
Michelle Lee. tragedy , Antony and Cleopatra . It is almost as if Shake- speare were maliciously attempting to foil those who would approach his play from a strictly Aristotelian point of view . The play is nominally ... ANTONY AND CLEOPATRA.
Seite 136
... Antony and Octavius . No one in the audience ever shifts the focus of the play from Antony and Cleopatra . The shift comes only from " study " . Both Octavius ' and Octavia's love for Antony depend on Antony's love for Cleopatra . The ...
... Antony and Octavius . No one in the audience ever shifts the focus of the play from Antony and Cleopatra . The shift comes only from " study " . Both Octavius ' and Octavia's love for Antony depend on Antony's love for Cleopatra . The ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York