endowed of human intellects had also the most sympathetic and tolerant of human hearts." Another critic justly remarks: "To say that he is the greatest man that ever lived, or the greatest intellect that ever lived, is to provoke a useless controversy; but what we will say, and what we will challenge the world to gainsay, is that he was the greatest expresser that ever lived. No man that ever lived said such splendid ex-tem'po-re things on all subjects universally; no man that ever lived had the faculty of pouring out on all occasions such a flood of the richest and deepest language. He may have had rivals in the art of imagining situations; he had no rival in the power of sending a gush of the appropriate intellectual effusion over the image and body of a situation once conceived. "From the jeweled ring on an alderman's finger to the most mountainous thought or deed of man or demon, nothing suggested itself that his speech could not envelop and enfold with ease. That excessive fluency which astonished Ben Jonson when he listened to Shakespeare in person astonishes the world yet. Abundance, ease, redundance, a plenitude of word, sound, and imagery, which, were the intellect at work only a little less magnificent, would sometimes end in sheer braggardism and bombast, are the characteristic of Shakespeare's style. Nothing is suppressed, nothing omitted, nothing canceled. On and on the poet flows, words, thoughts, and fancies, crowding on him as fast as he can write, all related to the matter on hand, and all poured forth together, to rise and fall on the waves of an established cadence." For passages quoted from Shakespeare in this volume, see 3, p. 31; 14, 16, p. 33; 21, 22, p. 34; 1, 4, p. 36; 3, p. 37; 4, p. 38; 5, p. 39; 7, 9, p. 40; 12, 13, 14, p. 41; 3, 4, 5, p. 43; 11, 12, p. 45; 1, 2, p. 46; 7, 1, 2, 3, p. 48; 4, 5, p. 49; 12, 1, 2, p. 51; 1, p. 55; 3, p. 56; 9, p. 59; 14, p. 62; 5, p. 69; 8, p. 70; 4, p. 75; 1, p. 78; 1, p. 421. Quarrel of Brutus and Cassius, p. 140. Regrets of Drunkenness, p. 234. SHELLEY, PERCY BYSSHE, the son of a wealthy baronet, was born in 1792, in Sussex, England. A poet of admirable genius, he was, in the words which he applied to himself, "a power girt round with weakness.' With the utmost gentleness and amiability of personal demean or, he united an extreme confidence in his own opinions on abstract questions; and, setting himself up, with the presumption of youth, in opposition to received principles which he did not understand, he made himself voluntarily an outcast, and remained through life a martyr to his own indistinct chimeras. Shelley's school-days were made uncomfortable by his sensitive temper, and he was not distinguished as a scholar. Before he was sixteen he had written two novels. In 1808 he was sent from Eton to Oxford. Here, with very slight philosophical reading, he became entangled in metaphysical difficulties, and, at seventeen, was pleased to publish, with a direct appeal to the heads of colleges, a pamphlet, entitled "The Necessity of Atheism." Instead of treating the audacious freak with the unconcern it merited, the college authorities gravely raised it from insignificance into importance by expelling the author. Thus martyrdom made his wild notions all the more precious to him. Soon afterward he printed his poem of "Queen Mab," in which singular poetical beauties are interpersed through a mass of speculative absurdities. At the age of eighteen an imprudent marriage alienated Shelley from his family. After three years of misery to himself and his wife, the ill-assorted union issued in a separation; and not long afterwards the young poet was agitated into temporary derangement by learning that his wife had destroyed herself. His children were taken from him by a decree of the Court of Chancery, on the ground of the atheism which he had avowed, and which he was too proud to retract on compulsion. Already, among his various wanderings, he had, in 1816, become acquainted with Lord Byron, and lived near him on the Lake of Geneva. There, and by the Lake of Como, he began to write poetry very sedulously. He studied and admired Wordsworth and Coleridge; he was familiar with the Greek dramatists, and was influenced largely by Goethe and Calderon. Not long after his wife's death he married the daughter of Godwin, a lady well known in literature. In 1818 they settled at Pisa (pe'za), in Italy. Here, with health already failing, he produced some of his principal works, in a period of about four years. Such were his lyrical drama, called "Prometheus Unbound," the gloomy but powerful tragedy of The Cenci" (chen'che), and many singularly fine minor poems, among which we may specify "The Skylark," "The Cloud," and "The Sensitive Plant." In July, 1822, when he had not quite completed his twenty-ninth year, he drowned in a storm which he encountered in his yacht in the Gulf of Spezzia (spet'se-a). was Shelley's poems, amid much that is mystical and unintelligible, are pervaded by a spiritual beauty which produces on the reader the effect of a strain of exquisite music. There is something marvelous in the rich originality of his imagination, and the ideal loveliness of the forms which it pours forth. His true and noble heart contradicts the boyish errors of his head. He was generous, charitable, and affectionate; and, every year of his life, love was leading him nearer and nearer to the great truths of God and immortality, which the untrained speculative intellect had wandered away from. The Skylark, p. 447. SHIENSTONE, WILLIAM, a pleasant, but not vigorous writer in verse and prose, was born in Shropshire, England, 1714; died 1763. He was skilled in landscape gardening, and his estate, known as the Leasowes, was often resorted to as a showplace. SHERIDAN, RICHARD BRINSLEY, was born in Dublin, Ireland, 1751. His father, Thomas Sheridan, was well known as an actor and a teacher of elocution, and as the author of a Pronouncing Dictionary. Richard, an idle and inischievous boy, passed at school for a hopeless blockhead. Leaving school he professed to study law; but his prospects were very hazy indeed, when, being barely of age, he made a runaway marriage with Miss Linley, a beautiful and accomplished singer. A small fortune she brought him was speedily dissipated by that careless way of living which he practiced at all stages of his life. His earliest comedy, "The Rivals," appeared in 1775, when the author was not 24 years old; his "School for Scandal," in 1777; and his witty, but ill-natured farce," The Critic," in 1779. Becoming acquainted with Burke and Fox, and impressing these eminent men with a strong belief in his political and oratorical talents, he obtained a seat in Parliament in 1780. But he be came improvident in his expenditures and intemperate in his habits; and the wit and orator died in 1616, abandoned by friends and hunted by bailiffs. Extracts from speech at the trial of Hastings, p. 34. Extract from "The Rivals," p. 79. Sir Lucius and Bob Acres, p. 83. Scene from The Critic," p. 368. SHORT-LIVED (lived). SHRIVELED or SHRIVELLED. SIBYL (sib'il), a pagan prophetess. SIMILE (Sim'e-le).. SIMULTANEOUS (sim- or si-). SINAI (sī'nā or si'na-i). SI'REN, in Greek mythology, one of certain female divinities who, by the sweetness of their song, so fascinated passing mariners, that they forgot their homes, and remained till they perished. SKEPTIC or SCEPTIC (from the Greek skeptikos; skeptomai, to look about, to consider). The form skeptic is preferred by Johnson, Ash, Kenrick, Entick, Sheridan, Perry, Jameson, Richardson, and many other leading lexicographers. The form is more agreeable to the genius of our language, and is less liable than sceptic to be mispronounced. SKILLFUL or SKILFUL. SKY (not ske-i). SMITH, HORACE, joint author, in connection with his brother James, of the famous "Rejected Addresses," On Religious Freedom, p. 193. SORCERY (sor'cer-y). SOVEREIGN (suv'ur-in or sov'ur-in).. SPENSER, EDMUND, a great English truly remarks of it, "yet does its SPON'DEE, a poetical foot containing In STOCKTON, ROBT. FIELD, of the U. S. STORY, WM. W., a poet and sculptor, STREW (stroo or strō,- and sometimes Stuarts were finally expelled the throne. SUFFICE (suf-fize'). SUGGEST (sud-jest or sugjest). Of SWIFT, JONATHAN, a celebrated writ- SWARTHY (Swawrth'e, the th aspirate, SWATI (Swoth or swawth). SYDNEY, ALGERNON, the second son will always appear, in the eyes of TALFOURD, THOMAS NOON, born in TASSO, TORQUATO, a celebrated Italian cation and melody of diction, and embodies his thoughts in the most musical, condensed, and enduring forms. He has at the same time. the art to conceal art. Few English poets have given to their verse so much of that charm which seems independent of the thought, and to lie in the grace and appropriateness of the structure. At Farringford in the Isle of Wight, Tennyson has resided for many years, amid green undulating woodland, thick with apple-trees, and fringed with silver sand and rocks, on which the lightgreen summer sea and the black waves of winter flow with the changeful music of the seasons. Here in his quiet home he sees little society except that of a few chosen friends. From the May Queen, p. 53. Charge of Light Brigade, p. 458. Independence on Fortune, p. 484. THACKERAY, WM. MAKEPEACE, novelist and essayist, was the son of a clergyman, and born in Calcutta in 1811. He studied at the university of Cambridge, in England, but left without taking a degree. His novel of " Vanity Fair," published in 1846, was the first work by which he rose to any great distinction, though he had previously written a number of satirical works for the Magazines. In 1855 he visited the United States, and delivered in the principal cities a series of lectures on the English humorists. One of his best novels, "The Newcomes," appeared in 1855, after his return to England. During his editorship of the London " Cornhill Magazine he wrote a series of articles under the title of "Roundabout Papers," which were deservedly popular. Thackeray had, during his life, his full share of abuse; but he manfully lived, or rather wrote it down. He died quite suddenly, in 1863. thare' A Plea for Dunces, p. 74. Irving and Macaulay, p. 351. THEATRE or THEATER. THEREFORE (ther fore or fore; the former is the preferred mode). THOMSON, JAMES, author of "The Seasons," a poem, was born in 1700, at Ednam, in Roxburgshire, England, where his father was a clergy man. James studied for several years at the University of Edinburgh, removed to London in 1726, and in 1730 published the whole of his celebrated poem, parts of which had previously appeared. It was remarkably successful. The style is in some parts pompous and inflated, but the closeness with which he has observed external nature has seldom been surpassed; and the poetic intuition with which he apprehends the features of a landscape, and the moral associations which clothe it with the finest part of its beauty, is keen and unerring. Thomson wrote tragedies, but they are now forgotten. His "Castle of Indolence," however, is a noble specimen of poetic art. It is Thomson's greatest poem, and on it he lavished the wealth of his ripened genius. Living in a cottage at Kew, the poet caught cold in sailing up the Thames, and died of fever in 1748. He was a friendly, shy, and indolent man. Hymn of the Seasons, p. 331. THRALLDOM or THRALDOM. TI'ARA (tī-air'a). TIN'CHEL, a circle of sportsmen, who, by surrounding a great space, and gradually narrowing, brought immense quantities of deer together. TINY (ti'ny or tin'y). To (generally pronounced too, the oo rather short). TOBIN, JOHN, an English dramatist, born at Salisbury, England, 1770, died 1804. He wrote the " HoneyMoon," from which see an extract, p. 73. TOCQUEVILLE, ALEXIS DE (tok'vil), a distinguished French statesman and writer, author of "Democracy in America," was born at Verneuil in France, July 29, 1805, died 1859. See an eloquent account of his life by his friend Beaumont, p. 132. Quotations from De Tocqueville, pp. 337, 338. Democracy adverse to Socialism, p. 299. An American Wilderness, p. 358. TORTOISE (tor'tiz or tor'tis). TOWARD or TOWARDS, prep. (to'urd or to'urdz). TOWARD, adj. (to'wurd). TOULMAIN, DR., an English scientific writer; quoted, p. 469. TRANSVERSE, adj. (trans-vers'), running or passing in a cross direction. TRANSITION (tran-sizh'un). |