Discourse, Band 32,Ausgabe 22010 |
Im Buch
Ergebnisse 1-3 von 27
Seite 175
... notion that we could define women's or feminist cinema by a set of aesthetic criteria based on form or content , at the same time , I was interested in exploring the ways in which women's films Women's Cinema and Violence in Mexico 175.
... notion that we could define women's or feminist cinema by a set of aesthetic criteria based on form or content , at the same time , I was interested in exploring the ways in which women's films Women's Cinema and Violence in Mexico 175.
Seite 179
... women's entire jour- ney . Similarly , in the twenty - three years since the first woman disap- peared in Ciudad Juárez , neither state nor federal officials have managed to find the perpetrator or perpetrators who are killing the women ...
... women's entire jour- ney . Similarly , in the twenty - three years since the first woman disap- peared in Ciudad Juárez , neither state nor federal officials have managed to find the perpetrator or perpetrators who are killing the women ...
Seite 182
... women in Mexico . A number of reasons could explain why Sin dejar huella and Perfume de Violeta did not receive the ... women's melodramas in which gendered violence either grates uncomfort- ably on the sensibilities of those younger ...
... women in Mexico . A number of reasons could explain why Sin dejar huella and Perfume de Violeta did not receive the ... women's melodramas in which gendered violence either grates uncomfort- ably on the sensibilities of those younger ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York