Discourse, Band 32,Ausgabe 22010 |
Im Buch
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Seite 173
... violence that appeals directly to a globally identified audience . Consider the following reviews : Michael Wilmington of the Chicago Tribune hails it as " a fiercely brilliant film of such wrench- ing impact , non - stop drive and ...
... violence that appeals directly to a globally identified audience . Consider the following reviews : Michael Wilmington of the Chicago Tribune hails it as " a fiercely brilliant film of such wrench- ing impact , non - stop drive and ...
Seite 174
... violence.10 It is this particular cinematic aesthetic that has currency in the international film market and is ... violence that permeate contemporary Mexican society . Perfume de Violeta narrates a violent coming - of - age story about ...
... violence.10 It is this particular cinematic aesthetic that has currency in the international film market and is ... violence that permeate contemporary Mexican society . Perfume de Violeta narrates a violent coming - of - age story about ...
Seite 182
... violence against women in Mexico . A number of reasons could explain why Sin dejar huella and Perfume de Violeta did not receive the international acclaim that films like Amores Perros did . Violence is certainly a popular subject and ...
... violence against women in Mexico . A number of reasons could explain why Sin dejar huella and Perfume de Violeta did not receive the international acclaim that films like Amores Perros did . Violence is certainly a popular subject and ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York