Discourse, Band 32,Ausgabe 22010 |
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Seite 150
... theory might help us understand the cinematic work of Matthew Barney , espe- cially how that work might signify , or fail to signify . Second , Mat- thew Barney's work might help us understand the place , or the movement , of the ...
... theory might help us understand the cinematic work of Matthew Barney , espe- cially how that work might signify , or fail to signify . Second , Mat- thew Barney's work might help us understand the place , or the movement , of the ...
Seite 169
... Theories of Representation and Difference series [ Bloomington : Indiana University Press , 1989 ] , 14-30 ... theory . To return to matter requires that we return to matter as a sign which in its redoublings and contradictions ...
... Theories of Representation and Difference series [ Bloomington : Indiana University Press , 1989 ] , 14-30 ... theory . To return to matter requires that we return to matter as a sign which in its redoublings and contradictions ...
Seite 200
... theory disavows through its investment in open architecture . The modern model of Sade and Freud deploys its affirmation of the self against threats to the integrity of the organic self from materialism it itself recognizes ; the ...
... theory disavows through its investment in open architecture . The modern model of Sade and Freud deploys its affirmation of the self against threats to the integrity of the organic self from materialism it itself recognizes ; the ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York