Discourse, Band 32,Ausgabe 22010 |
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Seite 151
... seem to make explic- itly visual their status as a disembodied — projected — medium , the other type of film . So , if Barney seems to thematize the material of film , then he also makes it visible within the rectangle of screen ...
... seem to make explic- itly visual their status as a disembodied — projected — medium , the other type of film . So , if Barney seems to thematize the material of film , then he also makes it visible within the rectangle of screen ...
Seite 157
... seems to threaten to stop , to pool and die off , to expose its material rigging and mechanics . The film itself is heading toward stillness , objecthood , arrest - seemingly . Consider the skin of this " character " emerging from the ...
... seems to threaten to stop , to pool and die off , to expose its material rigging and mechanics . The film itself is heading toward stillness , objecthood , arrest - seemingly . Consider the skin of this " character " emerging from the ...
Seite 160
... seems far from the standard shot - reverse shot composition to which we are accustomed : the camera , instead of assuming the direct look , tilts from top to bottom , resting at a low angle . This is a type of shot , then , that doesn't ...
... seems far from the standard shot - reverse shot composition to which we are accustomed : the camera , instead of assuming the direct look , tilts from top to bottom , resting at a low angle . This is a type of shot , then , that doesn't ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York