Discourse, Band 32,Ausgabe 22010 |
Im Buch
Ergebnisse 1-3 von 26
Seite 154
... scene , don't locate us in a stable context . Indeed , in the language of cinema , the establishing shot should " frame " the subsequent scene : the next shot , should , in telescopic logic , be a smaller interior or a part of the ...
... scene , don't locate us in a stable context . Indeed , in the language of cinema , the establishing shot should " frame " the subsequent scene : the next shot , should , in telescopic logic , be a smaller interior or a part of the ...
Seite 178
... scene , Marilú is being inter- rogated by Mendizábel , the corrupt federale who is out to bust her illegal operation of selling fake Mayan artifacts and to sleep with her at the same time . Mendizábel's interrogation is blatant sex- ual ...
... scene , Marilú is being inter- rogated by Mendizábel , the corrupt federale who is out to bust her illegal operation of selling fake Mayan artifacts and to sleep with her at the same time . Mendizábel's interrogation is blatant sex- ual ...
Seite 180
... scene dramatically demonstrates the way in which violence against women is practiced by young males in the disguise of play . Ultimately , however , this " playfulness " intensifies and becomes more violent in a later scene in which ...
... scene dramatically demonstrates the way in which violence against women is practiced by young males in the disguise of play . Ultimately , however , this " playfulness " intensifies and becomes more violent in a later scene in which ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York