Discourse, Band 32,Ausgabe 22010 |
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Seite 176
... representations of women's everyday experience and are especially relevant to a global , commercial cin- ema that is constrained by powerful institutional and economic controls . Cinematic Violence Representations of violence have been ...
... representations of women's everyday experience and are especially relevant to a global , commercial cin- ema that is constrained by powerful institutional and economic controls . Cinematic Violence Representations of violence have been ...
Seite 201
... representation is to begin with , but instead of showing a new way to think the self , Stelarc finds him- self reeled back to representation and to personality . The tension between the desire to show the artificiality of body - limit ...
... representation is to begin with , but instead of showing a new way to think the self , Stelarc finds him- self reeled back to representation and to personality . The tension between the desire to show the artificiality of body - limit ...
Seite 229
... representation ( and the representation of politics ) and the dia- lectical construction of the social . Of his eight countertheses on visual culture , the last is particularly germane to my discussion of ethics and aesthetics in ...
... representation ( and the representation of politics ) and the dia- lectical construction of the social . Of his eight countertheses on visual culture , the last is particularly germane to my discussion of ethics and aesthetics in ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York