Discourse, Band 32,Ausgabe 22010 |
Im Buch
Ergebnisse 1-3 von 11
Seite 217
... references to the sociopolitical realities of global late - capitalist society , he has been less explicit about what he calls the " cross - reference " that he makes between that real- ity and the " spiritual themes " that he mentions ...
... references to the sociopolitical realities of global late - capitalist society , he has been less explicit about what he calls the " cross - reference " that he makes between that real- ity and the " spiritual themes " that he mentions ...
Seite 227
... reference and its final stress on self - sacrifice that the film constructs its ethical commentary . Cuarón's England represents a closed , finite space in which the future of humanity depends on an unmarried young black immigrant woman ...
... reference and its final stress on self - sacrifice that the film constructs its ethical commentary . Cuarón's England represents a closed , finite space in which the future of humanity depends on an unmarried young black immigrant woman ...
Seite 233
... reference to something that really happened , in the Balkans , which is itself a reference to the Michelangelo sculpture . At the same time , we use the sculpture of David early on , which is also by Michelangelo , and we have of course ...
... reference to something that really happened , in the Balkans , which is itself a reference to the Michelangelo sculpture . At the same time , we use the sculpture of David early on , which is also by Michelangelo , and we have of course ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York