Discourse, Band 32,Ausgabe 22010 |
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Seite 227
... political culture , its rich visual struc- ture also invites the viewer to imagine a hopeful alternative to the dystopian present . It is through its implicit and explicit emphasis on political and social reference and its final stress ...
... political culture , its rich visual struc- ture also invites the viewer to imagine a hopeful alternative to the dystopian present . It is through its implicit and explicit emphasis on political and social reference and its final stress ...
Seite 228
... political actors the occasion to do exactly the opposite , and they instead seized upon the opportunity to bring the United States and the world . into a dystopian reality in which discourses of civilizational conflict have been ...
... political actors the occasion to do exactly the opposite , and they instead seized upon the opportunity to bring the United States and the world . into a dystopian reality in which discourses of civilizational conflict have been ...
Seite 230
... political horizons of Eliot's modernist masterpiece . If in the 1980s and early 1990s we did “ not yet possess the per- ceptual equipment to match " the new economic , political , and aes- thetic regimes that surrounded and fragmented ...
... political horizons of Eliot's modernist masterpiece . If in the 1980s and early 1990s we did “ not yet possess the per- ceptual equipment to match " the new economic , political , and aes- thetic regimes that surrounded and fragmented ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York