Discourse, Band 32,Ausgabe 22010 |
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Ergebnisse 1-3 von 8
Seite 178
... operates outside of the central nar- rative of the film , Aurelia and her son , while sharing a pizza , watch a news story about a recent murder . Aurelia's son's eyes are glued to the TV set as he watches the report about the finding ...
... operates outside of the central nar- rative of the film , Aurelia and her son , while sharing a pizza , watch a news story about a recent murder . Aurelia's son's eyes are glued to the TV set as he watches the report about the finding ...
Seite 236
... operates beyond the confines of its generic conventions and outside the theater itself relies heavily on the notion of mode . In his seminal work on melodrama , Peter Brooks employs the notion of mode to encompass under a single ...
... operates beyond the confines of its generic conventions and outside the theater itself relies heavily on the notion of mode . In his seminal work on melodrama , Peter Brooks employs the notion of mode to encompass under a single ...
Seite 245
... operates : before congealing into an artis- tic form , melodrama is an aesthetic operation — a function of the human imagination — that tests the efficiency of ideas and their role in suffering . This operation is neither a historical ...
... operates : before congealing into an artis- tic form , melodrama is an aesthetic operation — a function of the human imagination — that tests the efficiency of ideas and their role in suffering . This operation is neither a historical ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York