Discourse, Band 32,Ausgabe 22010 |
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Seite 154
... narrative . Because this scene is comprised of an erratic assemblage of establishing shots , however , Barney inverts the function of that cinematic tool . He disorients us . And , thus , none of the shots provides the definitive ...
... narrative . Because this scene is comprised of an erratic assemblage of establishing shots , however , Barney inverts the function of that cinematic tool . He disorients us . And , thus , none of the shots provides the definitive ...
Seite 261
... narrative screen " ( 3 ) . Such an historicization , Stewart argues , requires a new mode of narrative analysis - narratography - that is able to account for not only the structural organization of plot ( à la David Bordwell's formalist ...
... narrative screen " ( 3 ) . Such an historicization , Stewart argues , requires a new mode of narrative analysis - narratography - that is able to account for not only the structural organization of plot ( à la David Bordwell's formalist ...
Seite 262
... narrative of memory erasure is replicated in the film's freeze - frames , narrative looping , and its final fade to white , from profilmic snowfall to pure projected light . While narratology is capable of explaining how such a narrative ...
... narrative of memory erasure is replicated in the film's freeze - frames , narrative looping , and its final fade to white , from profilmic snowfall to pure projected light . While narratology is capable of explaining how such a narrative ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York