Discourse, Band 32,Ausgabe 22010 |
Im Buch
Ergebnisse 1-3 von 18
Seite 248
... mother Kate ( Jo Van Fleet ) , who left her family to run a brothel . After listening to her mother's side of the story and failing to satisfy his father , Cal devises a different narrative to explain his wrongdoings . He still aligns ...
... mother Kate ( Jo Van Fleet ) , who left her family to run a brothel . After listening to her mother's side of the story and failing to satisfy his father , Cal devises a different narrative to explain his wrongdoings . He still aligns ...
Seite 250
film asks , specifically , the following questions : Should mother and son acquiesce to the patriarch's violence ? Which of the patriarch's transgressions would justify their rebellion ? To what extent is the mother complicit in the ...
film asks , specifically , the following questions : Should mother and son acquiesce to the patriarch's violence ? Which of the patriarch's transgressions would justify their rebellion ? To what extent is the mother complicit in the ...
Seite 264
... mother and the home . Though a close connection between mother and son is often socially stigmatized , especially when it extends into adulthood , Mavor's text argues for a new understand- ing of " the effeminizing relation between a ...
... mother and the home . Though a close connection between mother and son is often socially stigmatized , especially when it extends into adulthood , Mavor's text argues for a new understand- ing of " the effeminizing relation between a ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York