Discourse, Band 32,Ausgabe 22010 |
Im Buch
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Seite 229
... moral , aesthetic , and political panic onto the proliferation of the image in the postmodern era , as W. J. T. Mitchell avers , visual cul- ture actually allows us to ask important questions about the politics of representation ( and ...
... moral , aesthetic , and political panic onto the proliferation of the image in the postmodern era , as W. J. T. Mitchell avers , visual cul- ture actually allows us to ask important questions about the politics of representation ( and ...
Seite 238
... moral values implicit in the plot and their stylistic articulation ; according to Elsaesser , stylis- tic articulation may uncover the falsity of moral values by providing an ironic parallelism . Put differently , as artistic expression ...
... moral values implicit in the plot and their stylistic articulation ; according to Elsaesser , stylis- tic articulation may uncover the falsity of moral values by providing an ironic parallelism . Put differently , as artistic expression ...
Seite 241
... moral problem and demands the viewer's moral judgment , but is unconcerned with the loss or inexistence of morality itself . Like Stella Dallas , most melodramas stage moral ideas to test the efficiency of these ideas ; this practice ...
... moral problem and demands the viewer's moral judgment , but is unconcerned with the loss or inexistence of morality itself . Like Stella Dallas , most melodramas stage moral ideas to test the efficiency of these ideas ; this practice ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York