Discourse, Band 32,Ausgabe 22010 |
Im Buch
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Seite 191
... internal limit to boundlessness in Sade that can direct a reading of digital environments . I borrow the term internal limit from Foucault's early essay on Sade , “ Preface to Trans- gression " ; in Foucault's analysis , sexuality is ...
... internal limit to boundlessness in Sade that can direct a reading of digital environments . I borrow the term internal limit from Foucault's early essay on Sade , “ Preface to Trans- gression " ; in Foucault's analysis , sexuality is ...
Seite 192
... internal limit ; the concept of internal limit encompasses both Foucault's loose notion of transgression as self - constitution through concep- tual movement — one that does not actualize a preexisting self— and the more necessary if ...
... internal limit ; the concept of internal limit encompasses both Foucault's loose notion of transgression as self - constitution through concep- tual movement — one that does not actualize a preexisting self— and the more necessary if ...
Seite 194
... internal limit is a movement across a boundary internal to a system that must be repeated in time in order to produce self - identity . Its concern is not with utopia but with the self , imagined as a coherent entity whose self ...
... internal limit is a movement across a boundary internal to a system that must be repeated in time in order to produce self - identity . Its concern is not with utopia but with the self , imagined as a coherent entity whose self ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York