Discourse, Band 32,Ausgabe 22010 |
Im Buch
Ergebnisse 1-3 von 33
Seite 237
... ideas ( or models of reality ) , they don't depend on any specific idea - hence , the impossibility of defining the melo- dramatic mode in terms of the ideas it employs . I define melodrama as the mode that , in order to ameliorate ...
... ideas ( or models of reality ) , they don't depend on any specific idea - hence , the impossibility of defining the melo- dramatic mode in terms of the ideas it employs . I define melodrama as the mode that , in order to ameliorate ...
Seite 245
... ideas that regulate our lives . For this reason , unlike the three modes outlined above , melodrama does attempt to change the world , setting off ideas against one another and hoping to find an idea that would eventually eradicate ...
... ideas that regulate our lives . For this reason , unlike the three modes outlined above , melodrama does attempt to change the world , setting off ideas against one another and hoping to find an idea that would eventually eradicate ...
Seite 246
... ideas . Furthermore , the pain that plagues the unhappy consciousness is explained no longer as the feeling of separation between devotee and deity , but rather as the result of prevailing ideas . Any idea becomes fair game in melodrama ...
... ideas . Furthermore , the pain that plagues the unhappy consciousness is explained no longer as the feeling of separation between devotee and deity , but rather as the result of prevailing ideas . Any idea becomes fair game in melodrama ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York