Discourse, Band 32,Ausgabe 22010 |
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Seite 154
... frame " the subsequent scene : the next shot , should , in telescopic logic , be a smaller interior or a part of the master location . It is not only a way of locating us geographically , but within a narrative . Because this scene is ...
... frame " the subsequent scene : the next shot , should , in telescopic logic , be a smaller interior or a part of the master location . It is not only a way of locating us geographically , but within a narrative . Because this scene is ...
Seite 188
... frame , video scanning , etc . ) . " 16 In " Cinema Beyond Cybernetics , " he distinguishes the digital image from Deleuze's time - image . In Deleuze's account of Bergson's theory , time is split between the present and the past ...
... frame , video scanning , etc . ) . " 16 In " Cinema Beyond Cybernetics , " he distinguishes the digital image from Deleuze's time - image . In Deleuze's account of Bergson's theory , time is split between the present and the past ...
Seite 261
... Frame time - the segmented time of film produced at twenty- four ( photographic ) frames per second - gives way to the spatial configuration of framed time - a time that mutates , seemingly time- lessly , within the digital frame ...
... Frame time - the segmented time of film produced at twenty- four ( photographic ) frames per second - gives way to the spatial configuration of framed time - a time that mutates , seemingly time- lessly , within the digital frame ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York