Discourse, Band 32,Ausgabe 22010 |
Im Buch
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Seite 163
... film means . Thus , when we see through film , or fail to see it , or when we look into and past film for an unfolding story , we are addressing only one part of that medi- um's aspect : its status as communicative conduit . We are ...
... film means . Thus , when we see through film , or fail to see it , or when we look into and past film for an unfolding story , we are addressing only one part of that medi- um's aspect : its status as communicative conduit . We are ...
Seite 164
... films are about to ones that would describe how these films operate ? To shift terms thusly , we must return to the literal situation of this film . Therefore , we return , too , to the darkened theater , the ever - popular film ...
... films are about to ones that would describe how these films operate ? To shift terms thusly , we must return to the literal situation of this film . Therefore , we return , too , to the darkened theater , the ever - popular film ...
Seite 171
... films unless they attended one of the major international film festivals at Cannes , Berlin , or Toronto . More importantly , although the aforementioned three films are directed by Mexicans , and inter- national critics refer to them ...
... films unless they attended one of the major international film festivals at Cannes , Berlin , or Toronto . More importantly , although the aforementioned three films are directed by Mexicans , and inter- national critics refer to them ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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