Discourse, Band 32,Ausgabe 22010 |
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Seite 158
... film's illuminated overlay on the given world . Thus I will examine another chain of “ events ” in the film , and specifically one that illustrates how this film displays its projected status . In the eleventh situation of the film , we ...
... film's illuminated overlay on the given world . Thus I will examine another chain of “ events ” in the film , and specifically one that illustrates how this film displays its projected status . In the eleventh situation of the film , we ...
Seite 213
... Film ” —through a critical reading of the themes and referential aesthetics of T. S. Eliot's The Waste Land . Expanding on the diverse interpenetrations of the film's ideologi- cal and aesthetic critiques , I argue that Cuarón's film ...
... Film ” —through a critical reading of the themes and referential aesthetics of T. S. Eliot's The Waste Land . Expanding on the diverse interpenetrations of the film's ideologi- cal and aesthetic critiques , I argue that Cuarón's film ...
Seite 227
... film's pseudo - Nativity scenes . Thus , although the critic Steffen Silvis complains that the film's " message of Christly redemption becomes heavy - handed , down to a risible Bethlehemite finale , " if we take into account Kee's ...
... film's pseudo - Nativity scenes . Thus , although the critic Steffen Silvis complains that the film's " message of Christly redemption becomes heavy - handed , down to a risible Bethlehemite finale , " if we take into account Kee's ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York