Discourse, Band 32,Ausgabe 22010 |
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Seite 166
... fact , the color within this film and its “ aquarium - like ” spaces all point to a certain shared vision with Mannerism , a highly theorized time in the history of art . See Michael Onfray's " Mannerist Variations of Matthew Barney ...
... fact , the color within this film and its “ aquarium - like ” spaces all point to a certain shared vision with Mannerism , a highly theorized time in the history of art . See Michael Onfray's " Mannerist Variations of Matthew Barney ...
Seite 177
... fact , he argues that there is a peda- gogical role for it , one that could participate in educating young audiences about the social effects of violence . But he is concerned about the way in which representational violence has been ...
... fact , he argues that there is a peda- gogical role for it , one that could participate in educating young audiences about the social effects of violence . But he is concerned about the way in which representational violence has been ...
Seite 237
... fact that , since Brooks's coinage of the melodramatic mode , “ mode ” has functioned as an empty noun that simply completes the process of substantiviz- ing the adjective “ melodramatic . ” In fact , Brooks explicitly speaks of a ...
... fact that , since Brooks's coinage of the melodramatic mode , “ mode ” has functioned as an empty noun that simply completes the process of substantiviz- ing the adjective “ melodramatic . ” In fact , Brooks explicitly speaks of a ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York