Discourse, Band 32,Ausgabe 22010 |
Im Buch
Ergebnisse 1-3 von 17
Seite 237
... experience does the melodramatic mode act upon the world and shape cultural texts . As a model of reality , a mode does not properly exist ( that is , it lacks agency ) ; it simply regulates our knowledge of reality without constituting ...
... experience does the melodramatic mode act upon the world and shape cultural texts . As a model of reality , a mode does not properly exist ( that is , it lacks agency ) ; it simply regulates our knowledge of reality without constituting ...
Seite 238
... experience obscures the conception of modes as actual solutions to problems of quotidian experience , a conception that Brooks seems to overlook . Symptomatic of the era- sure of quotidian experience in Brooks's model is that characters ...
... experience obscures the conception of modes as actual solutions to problems of quotidian experience , a conception that Brooks seems to overlook . Symptomatic of the era- sure of quotidian experience in Brooks's model is that characters ...
Seite 239
... experience upon cultural texts . I am suggesting that the proper problem of modes is not this mediation between social experience and dramatic works , but rather the configuration of experience as a dramatic scenario . Although the ...
... experience upon cultural texts . I am suggesting that the proper problem of modes is not this mediation between social experience and dramatic works , but rather the configuration of experience as a dramatic scenario . Although the ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York