Discourse, Band 32,Ausgabe 22010 |
Im Buch
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Seite 187
8 example by Miwon Kwon , whose One Place After Another : Site Specific Art and Locational Identity ( 2002 ) ... examples , I consider as an extended exam- ple the work of Mark Hansen . In a series of articles devoted broadly to the ...
8 example by Miwon Kwon , whose One Place After Another : Site Specific Art and Locational Identity ( 2002 ) ... examples , I consider as an extended exam- ple the work of Mark Hansen . In a series of articles devoted broadly to the ...
Seite 200
... example of a digital utopia that offers self - presence through the abridgement of space is the digital work of performance artist Stelarc . Stelarc has tried to shock the public out of its complacency about the traditional self : he's ...
... example of a digital utopia that offers self - presence through the abridgement of space is the digital work of performance artist Stelarc . Stelarc has tried to shock the public out of its complacency about the traditional self : he's ...
Seite 204
... example , to aid visually impaired people to navigate . An industrial application of the medi- ation of distance through touch is a “ vibrotactile system designed for the harsh condition of undersea hydraulic connector mating " that ...
... example , to aid visually impaired people to navigate . An industrial application of the medi- ation of distance through touch is a “ vibrotactile system designed for the harsh condition of undersea hydraulic connector mating " that ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York