Discourse, Band 32,Ausgabe 22010 |
Im Buch
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Seite 229
... essay on Wittgensteinian ethics in The Waste Land , tradition is never a stable foundation for cultural consensus ; it is merely an assort- ment of allusions , a cultural aggregate that does not cohere but shifts suddenly with each new ...
... essay on Wittgensteinian ethics in The Waste Land , tradition is never a stable foundation for cultural consensus ; it is merely an assort- ment of allusions , a cultural aggregate that does not cohere but shifts suddenly with each new ...
Seite 233
... essay “ Sex , Class , and Mexico in Alfonso Cuarón's Y tu mamá también , ” Ernesto R. Acevedo - Muñoz calls this technique “ the wandering eye ( or ' I ' ) of the camera , " which , along with the extradiegetic narrator's voice ...
... essay “ Sex , Class , and Mexico in Alfonso Cuarón's Y tu mamá también , ” Ernesto R. Acevedo - Muñoz calls this technique “ the wandering eye ( or ' I ' ) of the camera , " which , along with the extradiegetic narrator's voice ...
Seite 237
... essay theorizes the melodramatic mode — and modes in general - not as a model of reality based on a set of ideas but as a strategy to solve practical problems of experience . Modes are not overarching conceptions of the world that ...
... essay theorizes the melodramatic mode — and modes in general - not as a model of reality based on a set of ideas but as a strategy to solve practical problems of experience . Modes are not overarching conceptions of the world that ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York