Discourse, Band 32,Ausgabe 22010 |
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Seite 154
... emergence of the figure . Within the erratic master shots , we are also given medium crane shots and even some close - ups ( notably a close - up of the figure's face , with its large black orbs of eyes - a face that is difficult to ...
... emergence of the figure . Within the erratic master shots , we are also given medium crane shots and even some close - ups ( notably a close - up of the figure's face , with its large black orbs of eyes - a face that is difficult to ...
Seite 199
... emergence " refers to the generation of structures that are not specified or intentionally programmed . Instead of ... emergent algorithmic art : it would not work if it did not have an internal limit or genera- tive principle . Software ...
... emergence " refers to the generation of structures that are not specified or intentionally programmed . Instead of ... emergent algorithmic art : it would not work if it did not have an internal limit or genera- tive principle . Software ...
Seite 247
... emerge in a defensive response to absolute fear , and their emergence must be construed as a permutation and refusal of that fear . " 23 The Hegelian explanation of ethics suggests that what pro- duces anxiety is not the loss of an ...
... emerge in a defensive response to absolute fear , and their emergence must be construed as a permutation and refusal of that fear . " 23 The Hegelian explanation of ethics suggests that what pro- duces anxiety is not the loss of an ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York