Discourse, Band 32,Ausgabe 22010 |
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Seite 165
... desire : The question posed by desire is not " What does it mean ? " but " How does it work ? " . . . What are the connections , what are the disjunctions , the conjunctions , what use is made of its syntheses ? It represents nothing ...
... desire : The question posed by desire is not " What does it mean ? " but " How does it work ? " . . . What are the connections , what are the disjunctions , the conjunctions , what use is made of its syntheses ? It represents nothing ...
Seite 201
desire to speak with what seems to be an autonomous agent when we interact with computers . In a short essay about the work , " Pros- thetic Head : Intelligence , Awareness and Agency , " Stelarc articu- lates this instrumental interest ...
desire to speak with what seems to be an autonomous agent when we interact with computers . In a short essay about the work , " Pros- thetic Head : Intelligence , Awareness and Agency , " Stelarc articu- lates this instrumental interest ...
Seite 205
... desire , that the mind remain the same through transformation , affirm itself in the return to itself . The self ... desire to shift critical paradigms — has staked some extraordinary claims . Sometimes the desire to understand the ...
... desire , that the mind remain the same through transformation , affirm itself in the return to itself . The self ... desire to shift critical paradigms — has staked some extraordinary claims . Sometimes the desire to understand the ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York