Discourse, Band 32,Ausgabe 22010 |
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Seite 151
... call this phenomenon , this crisis of signi- fication , queer . Here is the basic stipulation . Across five films called CREMAS- TER 1-5 ( 1994–2002 ) , named after the muscle that raises or lower the testicles , Matthew Barney produces ...
... call this phenomenon , this crisis of signi- fication , queer . Here is the basic stipulation . Across five films called CREMAS- TER 1-5 ( 1994–2002 ) , named after the muscle that raises or lower the testicles , Matthew Barney produces ...
Seite 176
... calls a " counter heritage " and what Elissa J. Rashkin has referred to as an " other cinema ” in the particular ... call a postmodern or ironic cinema of vio- lence that is marked by a relentless onslaught of effects - ridden and ...
... calls a " counter heritage " and what Elissa J. Rashkin has referred to as an " other cinema ” in the particular ... call a postmodern or ironic cinema of vio- lence that is marked by a relentless onslaught of effects - ridden and ...
Seite 256
... calls virtual orientalism . At the center of her analysis is what Iwamura calls " the Oriental Monk , " a figure who is now ubiquitous in Ameri- can popular culture . The Oriental Monk is represented as a mys- terious , otherworldly ...
... calls virtual orientalism . At the center of her analysis is what Iwamura calls " the Oriental Monk , " a figure who is now ubiquitous in Ameri- can popular culture . The Oriental Monk is represented as a mys- terious , otherworldly ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York