Discourse, Band 32,Ausgabe 22010 |
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Seite 155
... body , covered in film and deranged , is not readable as one person or one identity . " She " is contingent upon situation . As such , we might label this body queer : it is always more ( and at the same time not quite ade- quate to ) a ...
... body , covered in film and deranged , is not readable as one person or one identity . " She " is contingent upon situation . As such , we might label this body queer : it is always more ( and at the same time not quite ade- quate to ) a ...
Seite 156
cohere , or which resist organization , seem to parallel this body . The body of the film is like the body in the film . Imagine : CREMASTER 3 offers up a place where motivation , or character , is replaced by manifest action . Part of ...
cohere , or which resist organization , seem to parallel this body . The body of the film is like the body in the film . Imagine : CREMASTER 3 offers up a place where motivation , or character , is replaced by manifest action . Part of ...
Seite 157
... body mediated by queer phenomenon . The gender theorist Judith Butler has written of a kind queer body that is not locatable conceptually . Instead of a queer figure between , for instance , the corporeal dyad of male and female , she ...
... body mediated by queer phenomenon . The gender theorist Judith Butler has written of a kind queer body that is not locatable conceptually . Instead of a queer figure between , for instance , the corporeal dyad of male and female , she ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York