Discourse, Band 32,Ausgabe 22010 |
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Seite 238
... Brooks accepts the conception of melodrama as a con- stant of the human imagination and as a constant among literary modes , he claims that , at least for the purposes of his study , melo- drama should be defined as a modern form whose ...
... Brooks accepts the conception of melodrama as a con- stant of the human imagination and as a constant among literary modes , he claims that , at least for the purposes of his study , melo- drama should be defined as a modern form whose ...
Seite 254
... Brooks , The Melodramatic Imagination : Balzac , Henry James , Melodrama , and the Mode of Excess ( 1976 ; repr . , New Haven , CT : Yale University Press , 1995 ) , 12 . 2 Thomas Elsaesser , " Tales of Sound and Fury : Observations on ...
... Brooks , The Melodramatic Imagination : Balzac , Henry James , Melodrama , and the Mode of Excess ( 1976 ; repr . , New Haven , CT : Yale University Press , 1995 ) , 12 . 2 Thomas Elsaesser , " Tales of Sound and Fury : Observations on ...
Seite 255
... Brooks , Melodramatic Imagination , 20 . 14 The line from Antigone ( I , 926 ) — “ Because we suffer we acknowledge we have erred " -frames Hegel's discussion of pathos and the ethical substance . See G. W. F. Hegel , Phenomenology of ...
... Brooks , Melodramatic Imagination , 20 . 14 The line from Antigone ( I , 926 ) — “ Because we suffer we acknowledge we have erred " -frames Hegel's discussion of pathos and the ethical substance . See G. W. F. Hegel , Phenomenology of ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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