Im Buch
Ergebnisse 1-3 von 9
Seite 13
a tion of death in the very construction of a film image's living present . In his major work on cinema , considered in the next section , Gilles Deleuze argues that certain films invent a thought of “ life ” in an era when " life " is ...
a tion of death in the very construction of a film image's living present . In his major work on cinema , considered in the next section , Gilles Deleuze argues that certain films invent a thought of “ life ” in an era when " life " is ...
Seite 21
It not only inspires the hero , but brings things together in the whole of organic representa36 tion and contracts or expands depending on the circumstances . Deleuze writes that “ from the point of view of time , or the ...
It not only inspires the hero , but brings things together in the whole of organic representa36 tion and contracts or expands depending on the circumstances . Deleuze writes that “ from the point of view of time , or the ...
Seite 49
In Tscherkassky's words : “ Martin Arnold's pièce touchée ( 1989 ) reveals Hollywood's high level of craftsmanship , which is lost in today's electronic post produc46 tion ; the precise architecture of light as well as Spring and Fall ...
In Tscherkassky's words : “ Martin Arnold's pièce touchée ( 1989 ) reveals Hollywood's high level of craftsmanship , which is lost in today's electronic post produc46 tion ; the precise architecture of light as well as Spring and Fall ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action already American appears argues Asian audience avant-garde become begin body Bungakuron calls character cinema concept condition continues critical cultural dead death Deleuze Derrida describes desire discourse Don Justo Dream Duke University effects English essay example experience fact figure film's Frame future ghost Guido Heidegger Hong Kong Hong Kong films human idea identity important kind Korean language literature living looking Marty material matter means Michigan mind move movement narrative nature never Notes object particular philosophy physical picture Piper political position possibility potato present Press production question racial reading refers reflection relation relationship representation rice rice queen scene sense sexual social Sõseki space specific story structure studies suffering takes theory things thinking thought tion trans turn understand University Press writes York