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Seite 29
The source material for Outer Space is itself a violent , disturbing film , which attempts to assuage any disquiet that spectators might experience in relation to their voyeuristic enjoyment of the films ' rape scenes - scenes in which ...
The source material for Outer Space is itself a violent , disturbing film , which attempts to assuage any disquiet that spectators might experience in relation to their voyeuristic enjoyment of the films ' rape scenes - scenes in which ...
Seite 44
In Outer Space and Dream Work , the critical work of analysis begins , in fact , with the intensification of the sensory experience of cinema . This intensification is the result of two aesthetic conditions : complexity and ...
In Outer Space and Dream Work , the critical work of analysis begins , in fact , with the intensification of the sensory experience of cinema . This intensification is the result of two aesthetic conditions : complexity and ...
Seite 150
For both characters , undertaking their quests will expose them to experiences of space and time in which these two cease to be mappable and calculable backdrops for human planning and instead are revealed to be fully dynamic , evolving ...
For both characters , undertaking their quests will expose them to experiences of space and time in which these two cease to be mappable and calculable backdrops for human planning and instead are revealed to be fully dynamic , evolving ...
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Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
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