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Derrida recalls shooting a scene in his office with Pascal Ogier , who played a principal role in Eric Rohmer's Les Nuits de la pleine lune ( 1984 ) . The director told him to ask Ogier whether she believed in ghosts and Ogier replied ...
Derrida recalls shooting a scene in his office with Pascal Ogier , who played a principal role in Eric Rohmer's Les Nuits de la pleine lune ( 1984 ) . The director told him to ask Ogier whether she believed in ghosts and Ogier replied ...
Seite 66
In the earlier version of the scene , our viewpoint approximately followed “ Marty 1 ” as he was pursued by the Libyans and escaped in the DeLorean . Now we re - observe the scene from a position one level of subjectivity further ...
In the earlier version of the scene , our viewpoint approximately followed “ Marty 1 ” as he was pursued by the Libyans and escaped in the DeLorean . Now we re - observe the scene from a position one level of subjectivity further ...
Seite 68
First question : how do we know that the two Martys , and the two scenes in which they appear , are different ? An initial , formalistic answer to this apparently frivolous question would be that the two Martys and the two scenes are ...
First question : how do we know that the two Martys , and the two scenes in which they appear , are different ? An initial , formalistic answer to this apparently frivolous question would be that the two Martys and the two scenes are ...
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Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
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action already American appears argues Asian audience avant-garde become begin body Bungakuron calls character cinema concept condition continues critical cultural dead death Deleuze Derrida describes desire discourse Don Justo Dream Duke University effects English essay example experience fact figure film's Frame future ghost Guido Heidegger Hong Kong Hong Kong films human idea identity important kind Korean language literature living looking Marty material matter means Michigan mind move movement narrative nature never Notes object particular philosophy physical picture Piper political position possibility potato present Press production question racial reading refers reflection relation relationship representation rice rice queen scene sense sexual social Sõseki space specific story structure studies suffering takes theory things thinking thought tion trans turn understand University Press writes York
Bibliografische Informationen
| Titel | Discourse, Band 28,Ausgaben 2-3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2006 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |