Im Buch
Ergebnisse 1-3 von 43
Seite 76
18 For Metz , this distance is not a measure of either the physical removal or the de - cathexis of the visual ( or auditory ) object , as compared to the more obviously sensuous attachments that originate and undergird any possible ...
18 For Metz , this distance is not a measure of either the physical removal or the de - cathexis of the visual ( or auditory ) object , as compared to the more obviously sensuous attachments that originate and undergird any possible ...
Seite 109
In the decolonization movement , nativism and identity politics shift the object of identification towards the self . ... a decolonization movement has to move on , actively searching out multiple objects of identification .
In the decolonization movement , nativism and identity politics shift the object of identification towards the self . ... a decolonization movement has to move on , actively searching out multiple objects of identification .
Seite 120
The other significant feature of Piper's preparation involved the " threatening ” task of “ concretsizing ] my spectator's vision of myself as an object.27 For Piper , the self - conscious act of becoming - object involved negotiating ...
The other significant feature of Piper's preparation involved the " threatening ” task of “ concretsizing ] my spectator's vision of myself as an object.27 For Piper , the self - conscious act of becoming - object involved negotiating ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action already American appears argues Asian audience avant-garde become begin body Bungakuron calls character cinema concept condition continues critical cultural dead death Deleuze Derrida describes desire discourse Don Justo Dream Duke University effects English essay example experience fact figure film's Frame future ghost Guido Heidegger Hong Kong Hong Kong films human idea identity important kind Korean language literature living looking Marty material matter means Michigan mind move movement narrative nature never Notes object particular philosophy physical picture Piper political position possibility potato present Press production question racial reading refers reflection relation relationship representation rice rice queen scene sense sexual social Sõseki space specific story structure studies suffering takes theory things thinking thought tion trans turn understand University Press writes York