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[ We ] will join color photography to the phonograph , and voilà , simultaneously harvested , simultaneously recorded , and then simultaneously reproduced with rigorous exactitude , movement and speech , that is to say life .
[ We ] will join color photography to the phonograph , and voilà , simultaneously harvested , simultaneously recorded , and then simultaneously reproduced with rigorous exactitude , movement and speech , that is to say life .
Seite 20
If we think of pure atoms , their movements which testify to a reciprocal action of all the parts of the ... introduces life and hunger to the movement thereby moving it from the abstract to the concrete and relating it to a whole .
If we think of pure atoms , their movements which testify to a reciprocal action of all the parts of the ... introduces life and hunger to the movement thereby moving it from the abstract to the concrete and relating it to a whole .
Seite 21
makers construct both organic and inorganic compositions from movement - images , both of which can be understood as living . In organic compositions , the horizon curves in around a perceiving center that reacts to movements from the ...
makers construct both organic and inorganic compositions from movement - images , both of which can be understood as living . In organic compositions , the horizon curves in around a perceiving center that reacts to movements from the ...
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Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
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action already American appears argues Asian audience avant-garde become begin body Bungakuron calls character cinema concept condition continues critical cultural dead death Deleuze Derrida describes desire discourse Don Justo Dream Duke University effects English essay example experience fact figure film's Frame future ghost Guido Heidegger Hong Kong Hong Kong films human idea identity important kind Korean language literature living looking Marty material matter means Michigan mind move movement narrative nature never Notes object particular philosophy physical picture Piper political position possibility potato present Press production question racial reading refers reflection relation relationship representation rice rice queen scene sense sexual social Sõseki space specific story structure studies suffering takes theory things thinking thought tion trans turn understand University Press writes York
Bibliografische Informationen
| Titel | Discourse, Band 28,Ausgaben 2-3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2006 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |