Discourse, Band 28,Ausgaben 2-32006 |
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Seite 16
... living . Cinema spectralizes the world as forcefully as it enables survival . It introduces ghosts , neither living nor dead , into the world . In the articles about the cinematograph , the cinema restores life to the dead and makes ...
... living . Cinema spectralizes the world as forcefully as it enables survival . It introduces ghosts , neither living nor dead , into the world . In the articles about the cinematograph , the cinema restores life to the dead and makes ...
Seite 19
... living beings . He writes : We know that things and people are always forced to conceal them- selves , have to ... living . Deleuze starts by referring to members of sets as “ some- one or something , " the " someone " explicitly ...
... living beings . He writes : We know that things and people are always forced to conceal them- selves , have to ... living . Deleuze starts by referring to members of sets as “ some- one or something , " the " someone " explicitly ...
Seite 20
... living being's sur- vival . The shift to the first person , “ imagine I am starving ... " intro- duces life and hunger to the movement thereby moving it from the abstract to the concrete and relating it to a whole . That whole is given ...
... living being's sur- vival . The shift to the first person , “ imagine I am starving ... " intro- duces life and hunger to the movement thereby moving it from the abstract to the concrete and relating it to a whole . That whole is given ...
Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York
Bibliografische Informationen
| Titel | Discourse, Band 28,Ausgaben 2-3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2006 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |