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Seite 30
What is it about these films , which on the one hand , exhibit the high degree of indeterminacy characteristic of so much avant - garde film , which spectators have found so accessible ? This essay approaches this question through an ...
What is it about these films , which on the one hand , exhibit the high degree of indeterminacy characteristic of so much avant - garde film , which spectators have found so accessible ? This essay approaches this question through an ...
Seite 31
Arnold's and Tscherkassky's films are both overwhelmingly sensuous , and startlingly articulate and theoretically astute . Without closing down these films ' radical indeterminacy , I want to suggest that part of the I attraction of ...
Arnold's and Tscherkassky's films are both overwhelmingly sensuous , and startlingly articulate and theoretically astute . Without closing down these films ' radical indeterminacy , I want to suggest that part of the I attraction of ...
Seite 99
The Hong Kong Film Syndrome a The1980s were not in fact the first period of interaction between the film industries in ... Although the fascination with Hong Kong films in Korea persisted throughout the early 1970s , due mostly to the ...
The Hong Kong Film Syndrome a The1980s were not in fact the first period of interaction between the film industries in ... Although the fascination with Hong Kong films in Korea persisted throughout the early 1970s , due mostly to the ...
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Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
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