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Seite 29
... which attempts to assuage any disquiet that spectators might experience in relation to their voyeuristic enjoyment of the films ' rape scenes - scenes in which special effects make the effects of rape visible on Hershey's naked body ...
... which attempts to assuage any disquiet that spectators might experience in relation to their voyeuristic enjoyment of the films ' rape scenes - scenes in which special effects make the effects of rape visible on Hershey's naked body ...
Seite 31
Specifically , it has to be rethought to account for the way that special effects work in these films . Roland Barthes ' well - known claim that it is the aim of all structuralist activity “ to reconstruct an ' object ' in such a way as ...
Specifically , it has to be rethought to account for the way that special effects work in these films . Roland Barthes ' well - known claim that it is the aim of all structuralist activity “ to reconstruct an ' object ' in such a way as ...
Seite 32
His own film , Arnulf Rainer ( 1960 ) , was the first of a number of films made in the sixties , which experimented with the visual effects created by the rapid alternation between solid colored film frames . Arnulf Rainer uses black ...
His own film , Arnulf Rainer ( 1960 ) , was the first of a number of films made in the sixties , which experimented with the visual effects created by the rapid alternation between solid colored film frames . Arnulf Rainer uses black ...
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Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
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Bibliografische Informationen
| Titel | Discourse, Band 28,Ausgaben 2-3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2006 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |