Im Buch
Ergebnisse 1-3 von 20
Seite 158
Her rewriting of this dialectic in terms of the body thus makes the body into the very object of “ philosophical ... makes sense within a dialectical logic whereby the body is either affirmed or negated — that is , made more or less .
Her rewriting of this dialectic in terms of the body thus makes the body into the very object of “ philosophical ... makes sense within a dialectical logic whereby the body is either affirmed or negated — that is , made more or less .
Seite 163
Recognizing the too - easy assimilation of death to that which cancels yet neither preserves ( dialectics ) nor ... I seek to underscore here is how this argument both refuses and falls prey to the seduction of dialectical thinking .
Recognizing the too - easy assimilation of death to that which cancels yet neither preserves ( dialectics ) nor ... I seek to underscore here is how this argument both refuses and falls prey to the seduction of dialectical thinking .
Seite 168
In Writing and Difference , Derrida remarks that Bataille's laughter exceeds dialectical oppositions only to find that philosophy ... as if the negotiation between dialectics and deconstruction is an inevitable and unending struggle .
In Writing and Difference , Derrida remarks that Bataille's laughter exceeds dialectical oppositions only to find that philosophy ... as if the negotiation between dialectics and deconstruction is an inevitable and unending struggle .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action already American appears argues Asian audience avant-garde become begin body Bungakuron calls character cinema concept condition continues critical cultural dead death Deleuze Derrida describes desire discourse Don Justo Dream Duke University effects English essay example experience fact figure film's Frame future ghost Guido Heidegger Hong Kong Hong Kong films human idea identity important kind Korean language literature living looking Marty material matter means Michigan mind move movement narrative nature never Notes object particular philosophy physical picture Piper political position possibility potato present Press production question racial reading refers reflection relation relationship representation rice rice queen scene sense sexual social Sõseki space specific story structure studies suffering takes theory things thinking thought tion trans turn understand University Press writes York