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Seite 182
If desire is constructed or at least informed by discursive systems of power ( and in the case of the “ rice and potato ... the Asian cultural nationalist reaction would be to promote the unlearning of these desires and to re - engineer ...
If desire is constructed or at least informed by discursive systems of power ( and in the case of the “ rice and potato ... the Asian cultural nationalist reaction would be to promote the unlearning of these desires and to re - engineer ...
Seite 183
In other words , desire need not lose its political edge and critical possibilities while being desire , in that we like who we like , even if who we like happens to be Caucasian . My point is that if desire " flows " and continually ...
In other words , desire need not lose its political edge and critical possibilities while being desire , in that we like who we like , even if who we like happens to be Caucasian . My point is that if desire " flows " and continually ...
Seite 190
The emotional struggles built around a racialized sexual identity depicted in the film up to this point cannot but logically point to a cultural nationalist definition of “ sticky rice ” desire . The initial series of semi - erotic ...
The emotional struggles built around a racialized sexual identity depicted in the film up to this point cannot but logically point to a cultural nationalist definition of “ sticky rice ” desire . The initial series of semi - erotic ...
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Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
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action already American appears argues Asian audience avant-garde become begin body Bungakuron calls character cinema concept condition continues critical cultural dead death Deleuze Derrida describes desire discourse Don Justo Dream Duke University effects English essay example experience fact figure film's Frame future ghost Guido Heidegger Hong Kong Hong Kong films human idea identity important kind Korean language literature living looking Marty material matter means Michigan mind move movement narrative nature never Notes object particular philosophy physical picture Piper political position possibility potato present Press production question racial reading refers reflection relation relationship representation rice rice queen scene sense sexual social Sõseki space specific story structure studies suffering takes theory things thinking thought tion trans turn understand University Press writes York