Discourse, Band 28,Ausgaben 2-32006 |
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Seite 58
... construction , dismantling , and reconstruction of Hollywood genre and marketing strategy itself , from an ironic position that is neither wholly critical nor wholly co - opted , and from which one needn't be duped in order to be sold a ...
... construction , dismantling , and reconstruction of Hollywood genre and marketing strategy itself , from an ironic position that is neither wholly critical nor wholly co - opted , and from which one needn't be duped in order to be sold a ...
Seite 73
... construction , and a meta - analysis of reality itself , which " presup- poses of its very nature the unity of meaning of the dramatic event " ( ibid . , 36 ) . Deleuze suggests the primordiality of the comparative apparatus of montage ...
... construction , and a meta - analysis of reality itself , which " presup- poses of its very nature the unity of meaning of the dramatic event " ( ibid . , 36 ) . Deleuze suggests the primordiality of the comparative apparatus of montage ...
Seite 165
... construction that is sometimes at work , when , for instance , the doctrine of construction implies that the body is not only made by lan- guage , but made of language , or that the body is somehow reducible to the linguistic ...
... construction that is sometimes at work , when , for instance , the doctrine of construction implies that the body is not only made by lan- guage , but made of language , or that the body is somehow reducible to the linguistic ...
Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York