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Seite 18
Derrida's experience of the cinema brings him into contact with Orgier's ghost who he welcomes with an attitude consistent with Specters of Marx's call to live with ghosts instead of trying to make them disappear .
Derrida's experience of the cinema brings him into contact with Orgier's ghost who he welcomes with an attitude consistent with Specters of Marx's call to live with ghosts instead of trying to make them disappear .
Seite 22
But in this shift , the cinema gains the ability to reflect explicitly on life and a certain tendency in the new cinema participates in a transvaluation of life by preparing to think it . In Chapter 7 of Cinema 2 , the cinema undergoes ...
But in this shift , the cinema gains the ability to reflect explicitly on life and a certain tendency in the new cinema participates in a transvaluation of life by preparing to think it . In Chapter 7 of Cinema 2 , the cinema undergoes ...
Seite 26
16 a The connection Derrida draws between cinema and phantoms is prefigured in Maxim Gorky's disappointment in the “ lifeless ” quality of cinematograph images which he saw as a “ kindom of shadows , ” ( quoted in Colin Harding and ...
16 a The connection Derrida draws between cinema and phantoms is prefigured in Maxim Gorky's disappointment in the “ lifeless ” quality of cinematograph images which he saw as a “ kindom of shadows , ” ( quoted in Colin Harding and ...
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Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
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action already American appears argues Asian audience avant-garde become begin body Bungakuron calls character cinema concept condition continues critical cultural dead death Deleuze Derrida describes desire discourse Don Justo Dream Duke University effects English essay example experience fact figure film's Frame future ghost Guido Heidegger Hong Kong Hong Kong films human idea identity important kind Korean language literature living looking Marty material matter means Michigan mind move movement narrative nature never Notes object particular philosophy physical picture Piper political position possibility potato present Press production question racial reading refers reflection relation relationship representation rice rice queen scene sense sexual social Sõseki space specific story structure studies suffering takes theory things thinking thought tion trans turn understand University Press writes York
Bibliografische Informationen
| Titel | Discourse, Band 28,Ausgaben 2-3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2006 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |