Im Buch
Ergebnisse 1-3 von 20
Seite 30
a Dream Work within a long history of avant - garde filmmaking concerned with exploring cinema's capacity for representing the conscious and unconscious activities of mind . Where this study differs from the small , but significant body ...
a Dream Work within a long history of avant - garde filmmaking concerned with exploring cinema's capacity for representing the conscious and unconscious activities of mind . Where this study differs from the small , but significant body ...
Seite 36
And , indeed , it still makes sense to think of the affective - intellectual complex of avant - garde film spectatorship — that is to say , the complex of emotions , ideas , and expectations that film viewers bring to this event — in ...
And , indeed , it still makes sense to think of the affective - intellectual complex of avant - garde film spectatorship — that is to say , the complex of emotions , ideas , and expectations that film viewers bring to this event — in ...
Seite 45
Dream Work is also different to the other films examined in this essay because its re - reading of its source material also includes an historical , pedagogical referencing of Dream Work's own place in the history of avant - garde ...
Dream Work is also different to the other films examined in this essay because its re - reading of its source material also includes an historical , pedagogical referencing of Dream Work's own place in the history of avant - garde ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action already American appears argues Asian audience avant-garde become begin body Bungakuron calls character cinema concept condition continues critical cultural dead death Deleuze Derrida describes desire discourse Don Justo Dream Duke University effects English essay example experience fact figure film's Frame future ghost Guido Heidegger Hong Kong Hong Kong films human idea identity important kind Korean language literature living looking Marty material matter means Michigan mind move movement narrative nature never Notes object particular philosophy physical picture Piper political position possibility potato present Press production question racial reading refers reflection relation relationship representation rice rice queen scene sense sexual social Sõseki space specific story structure studies suffering takes theory things thinking thought tion trans turn understand University Press writes York