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Seite 22
In Chapter 7 of Cinema 2 , the cinema undergoes a sort of death , loosing its connection to the world , a world which its audiences no longer believe in . The movement - image cinema often sought to shock its audience into political ...
In Chapter 7 of Cinema 2 , the cinema undergoes a sort of death , loosing its connection to the world , a world which its audiences no longer believe in . The movement - image cinema often sought to shock its audience into political ...
Seite 57
Furthermore , the characters and dialogue in this vignette are so overdrawn — Fullilove literally shuffles through his lines — that the audience ( or at least the white middle class audience who is the film's prime demographic , judging ...
Furthermore , the characters and dialogue in this vignette are so overdrawn — Fullilove literally shuffles through his lines — that the audience ( or at least the white middle class audience who is the film's prime demographic , judging ...
Seite 104
female audiences . Until then , the main gender discourse in Korean media seemed to repeatedly reinforce the classical notion of the cinematic gaze proposed by Laura Mulvey , whereby the onscreen male gaze constantly objectifies the on ...
female audiences . Until then , the main gender discourse in Korean media seemed to repeatedly reinforce the classical notion of the cinematic gaze proposed by Laura Mulvey , whereby the onscreen male gaze constantly objectifies the on ...
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Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
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action already American appears argues Asian audience avant-garde become begin body Bungakuron calls character cinema concept condition continues critical cultural dead death Deleuze Derrida describes desire discourse Don Justo Dream Duke University effects English essay example experience fact figure film's Frame future ghost Guido Heidegger Hong Kong Hong Kong films human idea identity important kind Korean language literature living looking Marty material matter means Michigan mind move movement narrative nature never Notes object particular philosophy physical picture Piper political position possibility potato present Press production question racial reading refers reflection relation relationship representation rice rice queen scene sense sexual social Sõseki space specific story structure studies suffering takes theory things thinking thought tion trans turn understand University Press writes York
Bibliografische Informationen
| Titel | Discourse, Band 28,Ausgaben 2-3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2006 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |