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By the time Deleuze describes the most differentiated of the movement - images , the “ large form action image , ” the whole of the film itself lives and breathes . [ lt ] seems to be endowed with respiration .
By the time Deleuze describes the most differentiated of the movement - images , the “ large form action image , ” the whole of the film itself lives and breathes . [ lt ] seems to be endowed with respiration .
Seite 120
My inner experience which gives coherence to my actions to me , has no recognizable way that has objective validity . ... Because the external audience does not recognize my action , they must exist only in relation to me and for me .
My inner experience which gives coherence to my actions to me , has no recognizable way that has objective validity . ... Because the external audience does not recognize my action , they must exist only in relation to me and for me .
Seite 227
Mukherjee's first chapter , “ Race , Gender , and the Constitution of Subjects , ” explores the imagery associated with race in public policy and affirmative action debates of the 1990s . Mukherjee investigates the “ protagonists ” and ...
Mukherjee's first chapter , “ Race , Gender , and the Constitution of Subjects , ” explores the imagery associated with race in public policy and affirmative action debates of the 1990s . Mukherjee investigates the “ protagonists ” and ...
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Inhalt
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Urheberrecht | |
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action already American appears argues Asian audience avant-garde become begin body Bungakuron calls character cinema concept condition continues critical cultural dead death Deleuze Derrida describes desire discourse Don Justo Dream Duke University effects English essay example experience fact figure film's Frame future ghost Guido Heidegger Hong Kong Hong Kong films human idea identity important kind Korean language literature living looking Marty material matter means Michigan mind move movement narrative nature never Notes object particular philosophy physical picture Piper political position possibility potato present Press production question racial reading refers reflection relation relationship representation rice rice queen scene sense sexual social Sõseki space specific story structure studies suffering takes theory things thinking thought tion trans turn understand University Press writes York
Bibliografische Informationen
| Titel | Discourse, Band 28,Ausgaben 2-3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2006 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |